Gallery Opening: DRIFTLESS
Saturday May 18th: 7-10pm
We are so excited to announce our next show! Please join us on Saturday, May 18th, 7-10pm for the opening night of this amazing installation.
DRIFTLESS: A Collaboration of Caleb Coppock, Daphne Eck & Betni Kalk
Collectors and scavengers at their core, the artists gathered source materials as they explored 80-acres of ridge, valley and woods in Soldiers Grove, Wisconsin located in the ‘Driftless Region’ of the Midwest. Following a process of gathering and re-mixing natural, human-made and digital sources, they form a personal, composite perspective of this region. A close examination and slowing of pace amidst the cacophony of data unravels the playful potential of even the tiniest bits. Read More…
Closing Tea: Desaturate 2
Sunday April 28th: 12-4pm
Desaturate 2 is closing, so please join us for tea and cookies!
Featuring screen prints by: Kim Ambriz, Derrick Buisch, Ethan D’Ercole, Dan Grzeca, John Hitchcock, Kathleen Judge, Damon Locks, Jay Ryan and Dan S. Wang. Nine artist presenting 5 screen prints in black & white.
In the summer of 2010, Damon Locks came up with a way to ensure that he would continue to produce art and asked several artist to promise to make five, one color (black) screen prints each. Accountability to other artists would ensure that each artist would have to figure out how to make it happen. The results of that challenge produced the first Desaturate show made up of work from seven people.
Participating artist Derrick Buisch spearheaded the continuation of the project, leading to this… Desaturate 2. The same rules applied but artists tend to work around rules to delightful effect. More artists this time around means more great art to love. Come check out the work and hang out with some awesome people.
Pitch Black presents the work of Damon Locks and Alix Lambert. Both artists exhibit pieces that explore the unseen side of the human condition and the challenges we face in confronting and exploring those places.
The screen prints on display by Damon Locks in the Pitch Black exhibit explore another tributary of his expression. Gone is the populous that inhabit his artistic terrain. The urban landscapes of previous pieces are deemed irrelevant in this new set of pieces. Shape and texture have moved to the forefront. There is an implicit interest in how mark making can bring forth some of the same concepts as his previous work in a more abstracted way.
The show is made up of a series of MOOD pieces. Even in their absence, it could be said the subject matter still revolves around people but now his artistic lens focuses on their reverberations. A recent viewing of Jean Painlevé’s microscopic look at undersea life brought to mind otherworldly landscapes and inspired the more textural approach to this series.
The photography and sculpture by Alix Lambert are from her ongoing investigation into death. The two images were taken at the University of Tennessee’s Forensic Anthropological Research Center (nicknamed The Body Farm) – the only facility in the world that studies the decomposition of the human corpse. The bronze dental casts are a nod to teeth and/ or bite marks being common in identifying bodies and murder victims respectively.
“We are not a culture of death. I don’t see any reason why we shouldn’t go into great depth about what happens when someone dies. Let’s take somebody who is killed and thrown out on the edge of the road and police are called. They come and they hold up sheets so that you can’t see what’s going on. Everybody drives by looking – but can’t see anything. They call whoever comes to pick up the body. They come and out the body in a black disaster bag, and again you can’t see what they are doing. The body bag goes to the morgue. Well, you don’t take tours of morgues and you don’t know what goes on in a morgue. If you ever see that individual again it may be at the funeral if they have an open coffin. But if they don’t, they are buried and no one ever sees it. I don’t know why we cover it up.” – Bill Bass, Forensic anthropologist and founder of The Body Farm.
Please join us on Friday August 10, from 7-9pm, for the opening of ‘The Vacancy’. Featuring new work by Chicagoans Tony Fitzpatrick, Duncan Robert Anderson, Daniel Bruttig and Chris Hefner, “The Vacancy” is a forum for the four artists to focus upon the themes of removal, absence and distance that are a perennial element in their work.
Utilizing a wide variety of media, they address the lost, the endangered, the silent and the ephemeral. Although their work is certainly in regard the Void, it is as much about the precious, if fleeting moments of togetherness and beauty that color our days as it is about the silence that awaits us at the end of them.
Through “The Vacancy”, the four artists do not seek to mourn, rather they offer the simple but sacred opportunity to gather and witness.
Objects In Space
THIS SHOW displays living spaces inside a Chicago storefront gallery, whereby every piece of furniture and all textiles, artwork and accessories are produced in Chicago..
The resultant setting is a sampling of what is currently happening in the Chicago design community. All work is available for purchase directly through the designers and artists.
WORK BY Anna Barton, B2 Concepts, Bridgette Buckley, DeRussy Designs, Susan Dwyer, Epicenter Design, Eve Fineman Furniture + Interiors, Furniture
Revival, glickbuilt, Casey Gunschel, Beau Hale, -ism Furniture, Dennis Johnson, Keith Clayton Furniture, Casimir Kujawa, Lagomorph Design, Jason Lewis, Damon
Locks, Manifold, McBride Housewrights, Merkled, MODified Originals, Navillus Woodworks, Paul Pettigrew, Starshaped Press, Sonnenzimmer, Thievery, Thomeworks, Workshop/Cozzens, zakrose.
Ten x Ten Exhibition
Featuring work by:
Ten x Ten is both a compilation and collaboration between Chicago bands and printmakers. The project strives to introduce artists and musicians that might not have otherwise crossed paths, and encourages the development of creative relationships between Chicago bands and printmakers that go beyond show posters. The final package consists of ten songs accompanied by ten corresponding prints that were developed exclusively for the project.
New work by Jesse Harrod and Elijah Burgher
Please join us here at LivingRoom for this special show featuring two amazing local artists, Jesse Harrod and Elijah Burgher.
Our bodies accelerate quickly into extremes of pleasure and pain, often it is only the best of lovers, of landscapes, or of experiences that can tame, tease, or guide our entry into either realm. What pleasure and pain look like or feel like, though, is deeply unclear, is abstract, is insidious, is different for everyone. There is no one to one relationship when it comes to this. The serene garden hiding pistils and traps. The covert messages and innuendos of any symbolic act. The excruciating things we want to have happen.
Jesse Harrod has an MFA from the department of Material Studies from the School of
The Art Institute of Chicago and a BFA from the Nova Scotia College of Art and Design
University. She has been writing and making work that employs traditional and contemporary craft and sculptural practices with a focus on craft as “other” and how this pertains to queer theory as well as second and third wave feminism. Jesse is interested in working with the layers that exist within the history of cloth and fabric. Those layers include, class, colonization, trade, puberty, and domesticity.
Elijah Burgher is an artist and writer based in Chicago, IL. He has exhibited in solo shows at 2nd Floor Projects in San Francisco, CA and Shane Campbell Gallery in Oak Park, IL and two-persons shows at Lump in Raleigh, NC and Peregrine Program in Chicago. Recent group shows include exhibitions at Famous Accountants in Brooklyn, NY, Envoy Enterprises and Anna Kustera in New York, Noma in San Francisco, and Gallery 400 and Roots & Culture in Chicago. He received an MFA from the School of the Art Institute of Chicago in 2004, and a BA from Sarah Lawrence college in 2000, where he studied Literature.
Past Perfect - Jamie Hayes
We here at LivingRoom could not be more delighted than to be opening the year with this one of a kind show from the multi-talented artist Jamie Hayes.
In the spring of 2009, Jamie contacted a group of friends and colleagues to participate in a collaborative project, called Past Perfect, wherein participants would work with her to design a dream garment: items they’d loved and lost or items they’d always wanted. Participants were also asked to write about why the item was important or compelling to them. The following summer, Jamie and Photographer Alix Lambert went to Vietnam and worked with tailors there to create these garments and accessories. Alix documented this process in Vietnam, as well as photographed the final portraits of the participants in their items.
This show is the first time all of these amazing items will be on display together. And we here at LivingRoom invite you to join us for what will most certainly be a remarkable evening!
Jamie Hayes’ interests lie at the intersection of fashion, art, culture, and identity. Her approach is both collaborative and customized. She believes that clothes should fit one’s body (not the other way around); that trends are largely irrelevant (people should wear what flatters and interests them rather than what someone else dictates is fashionable); that style is a form of self-expression; and that everyone in the chain of production of clothing should be paid a living wage.